The Dessert Table
Yolanda Prescott had one rule to remember tonight: stay in the west corridor. Ainsworth Catering had drilled it into her before the vans even left the depot — the client on this account was particular, and "particular" here meant a two-hundred-guest charity gala thrown by the Hale Foundation, in a ballroom with more chandeliers than Yolanda had rooms in her apartment.
She'd worked this account for three years without ever being supposed to see the family up close. Tonight the rule broke on its own before anyone noticed.
She was refilling a dessert tray when the doors at the far end opened and the Hale family swept in — Corwin Hale in a black tux, tall and composed the way men are when nothing has ever truly gone wrong for them; Anneliese Hale beside him in ice-blue silk, diamonds at her throat; and between them, holding his mother's hand, a small boy in a miniature tuxedo with his hair combed flat.
Beckett.
Yolanda's hands went still over the tray. She counted his age in her head the way she always did, without meaning to. Six years, four months. She knew the shape of his ears. She knew the exact place on his left eyebrow where a thin white scar sat from the time he fell off a porch step — she'd been the one to hold the ice to it, seven years ago, before any of this began, before the contracts and the corridor and the rule.
He wasn't supposed to be walked past the dessert table. The seating chart had him at the family's table near the stage. But the nanny — a young woman Yolanda didn't recognize — had cut through the wrong aisle, and now they were forty feet away and closing.
Yolanda turned her body toward the tray, toward the sugar-dusted pastries, the way she'd trained herself to turn invisible in rooms like this. Don't look up. Don't look up.
She looked up.
Across the ballroom, over two hundred heads and a river of champagne flutes, Beckett's eyes found hers — and his small hand, already loosening in the nanny's grip, slipped free.